SciELO - Scientific Electronic Library Online

 
vol.49 issue91Voyeurism in movies: analysing rear windowThe reflection of mirrors in The Dreamers author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

article

Indicators

Share


Jornal de Psicanálise

Print version ISSN 0103-5835

Abstract

PUCCINELLI, Maysa  and  CHATELARD, Daniela. About crossing anguish in the Trilogy of Silence. J. psicanal. [online]. 2016, vol.49, n.91, pp.241-256. ISSN 0103-5835.

Starting from S. Freud's and J. Lacan's contributions, the author proposes an investigation into the theory of anguish, despite its resonances in Ingmar Bergman's Silence Trilogy, which is composed by the movies, Through a Mirror Glass (1961-1962), Winter Light (1961-1962), and The Silence (1962). Although these works establish a movie compendium which is unified under the signifier "Silence", they still echo paradigmatic features of a discursive system that does not hesitate to approach the Lacanian reality, which is characterized by what does not lie: the anguish. The author emphasizes that Freud categorized "silence" among the three elements that form infantile anguish (silence, solitude, and darkness). Therefore, the author's purpose is to problematize anguish as well as its impact on subjective structures, under the support of these aesthetic operators - content and form -, which were made present in Ingmar Bergman's filmic speech.

Keywords : movies; anguish; strange; reality; real; Bergman.

        · abstract in Portuguese | Spanish | French     · text in Portuguese     · Portuguese ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License