SciELO - Scientific Electronic Library Online

 
vol.50 issue1The uncanny's emergence: a film analysis essay of The student of PragueChildhood from the perspective of psychoanalysis: a brief travel by the classical work of Freud and Lacan; Klein and the object links author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

article

Indicators

Share


Tempo psicanalitico

Print version ISSN 0101-4838On-line version ISSN 2316-6576

Abstract

SANTOS, Bruno Gonçalves dos  and  DIONISIO, Gustavo Henrique. Musicality and psychoanalysis. Tempo psicanal. [online]. 2018, vol.50, n.1, pp.301-324. ISSN 0101-4838.

Following the perspective of Freud and Lacan, this work theoretically discusses the musicality and its implications in the psychic constitution of the subject, considering the peculiarities that occur in the dynamics of sound signifiers. According to our developments, musicality maintains in itself the primordial relation of the signifier in which there is no forclusion (Verwerfung) the Real, evidencing a process of significant chaining even before the production of imaginary signification. In this sense, musicality is taken as producing significant sonorous relation that maintains in itself the elementarity of the Real, demonstrating a way of intervention in the clinic by way of musicality for the production of sound discourse, even if without meaning, that gives ways to the subject of treatment of their enjoyment. In order to substantiate this hypothesis, we discuss the I nvocative Pulsion in relation to the primordial Other, and the voice as the object a, as a phenomenon other than sound.

Keywords : Musicality; psychoanalysis and music; forclusion; invocating pulse; voice.

        · abstract in Portuguese | French     · text in Portuguese     · Portuguese ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License