LOBO, Amanda Souza Ávila    GUSMAO, Milene de Cássia Silveira. Defacement and nomadopolitics in bla bla bla (1968), by Andrea Tonacci. []. , 54, 2, pp.61-90. ISSN 0101-4838.

This text is the result of part of the doctoral research in which we seek to defend, in the first three productions of filmmaker Andrea Tonacci, a nomadism of thought, because with his filmic images, he makes an effort of creation that escapes the mechanisms of power and control, opting for what goes beyond opinion, clichés and conservation. Thus, he gives a revolutionary and minority character to his art, making it possible to machine and build new meanings together with his image. Based on his film Bla Bla Bla (1968), we will seek to understand how Tonacci carries out inventive movements of defacement, capable of denouncing the exhaustion of a political face and opening his image to new possibilities, thus realizing a nomadopolitics, a typical attitude of a minor cinema.

: Andrea Tonacci; Bla Bla Bla; defacement; nomadopolitics; minor cinema.

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