SANTANA, Luiz Henrique Costa de. Metateatro (?) and genocide in the trilogia do confinamento, by Aldri Anunciação. []. , 54, 2, pp.102-129. ISSN 0101-4838.

Playwright Aldri Anunciação's foray into dramatic literature in the Trilogy of Confinement is commendable. The first play "Namibia, no!" emphasizes the individual's place of belonging, the plot develops around a provisional measure that proposes to take all those with "accentuated melanin" back to some country in the African Continent. The second play "Immediate Boarding" is based on the loss of identity and passport of a black doctoral student, in a "clean room" at the airport. The third piece "Battlefield: The Fantastic Story of a Successful War" portrays, in a milder and more humanitarian way, that war has no color and that the end is the same for all individuals who dare to exist. Thus, through the literature review method, this work emerges, having as theoretical contribution: Nilson P. de Carvalho (2017) who researches about metaliterature and the theorist Abdias de Nascimento (2016) who researches about the genocide of the Brazilian black. The aim of this work is to understand how these concepts can be perceived in this dramatic work. Therefore, it is possible to note that in all these plays the depersonalization and mischaracterization of the black man is perceptible, uniting the concepts of metaliterature and genocide, because the narrative that runs through the three plays reverberates about the traces of colonialism in the black man.

: Brazilian dramaturgy; Metaliterature; Genocide in Trilogy of confinement; Aldri Anunciação.

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