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GONCALVES, Camila Salles. Lola, corruption and social narcissism. Ide (São Paulo) [online]. 2017, vol.40, n.64, pp. 159-167. ISSN 0101-3106.

The author points out some specific aspects of cinematographic art that can be seen in their peculiar faction in this Fassbinder film. She intends that it is possible to speak about the meaning of the script without forgetting the artistic way of presenting it. She makes a reading of the whole story through the use of psychoanalytic and philosophical concepts from Fabio Herrmann and Theodor Adorno and comments some scenes considering the images that can be taken in a original vision of the theme corruption.

Palavras-chave : Cinematographic art; Plans; Corruption; Social narcissism; Quotidian.

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