Resumo

TOGNOLLI, Dora. Form - origin and deployment: Stravinsky and Freud - new forms. J. psicanal. [online]. 2010, vol.43, n.78, pp. 117-130. ISSN 0103-5835.

This article aims to address the concept of form and bring it closer to the territory of Psychoanalysis. In order to illustrate this concept, we took the examples of Stravinsky and Freud, whose production implicated in ruptures with conventional forms - inside classical music (Stravinsky) and in the approach of human being from the psychoanalytic method (Freud). Two clinical approaches have sought to illustrate how the search of a person’s own form may occur during the psychoanalytical process and how this form is never definite and is always changing.

Palavras-chave : Form; Rupture; Invention; Unconscious; Dream; Another scene; Angst; Nothing.

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