Abstract

BUSCHINELLI, Cíntia. Aesthetic experience: in the analysis room and in the cinema. Rev. bras. psicanál [online]. 2007, vol.41, n.4, pp. 103-112. ISSN 0486-641X.

The aim of this work is to examine the parallel between Bion - a psychoanalyst who proposes a theory of thinking - and Aleksander Sokúrov - the "painter-filmmaker" who introduces a cinema of observation based on the semantics of images. The intended approximation takes place in the approach mode of Bion’s mental world and that of the images in Sorúkov. As a result, the emotional experience of Sorúkov’s canvas-images’ viewer will be highlighted, as well as that of the analyst’s immersed in the contact with the patient. The meeting point of this approach is the aesthetic experience, be it the one undergone by the viewer of the cinematographic images, or the one that occurs in the encounter between the analyst and the patient.

Keywords : Negative capability; Aesthetic experience; Cinematographic images; Encounter between analyst and patient.

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