Resumo

MOEHLECKE, Vilene  e  FONSECA, Tania Mara Galli. O teatro da individuação: forças e simulacros. Rev. Mal-Estar Subj. [online]. 2008, vol.8, n.2, pp. 475-503. ISSN 1518-6148.

In this work, we intend to make a discussion about the citizen and its joints with the aesthetic processes and the possibilities of simulation. Thus, we think about the possibilities of agency of the body, its movements and involved forces. We understand the theater of the individuation as a relative resolution of the being, that may search the activation of his will of power, his transformation. In the life, the being tries to compose new personages throughout its histories and, as well as in the theater, the living creature can carry through many tries, in the attempt to break the limits of the body and to create other ways to exist. Moreover, we study the potentialities of the time and the body, when thinking the coexistences between current and the virtual one. Besides, the ethical principle of the perpetual return of Nietzsche in makes them to reflect on the power of return of the difference and the overcoming of itself, that is, the citizen may live, as if each instant returned indefinitely and can try the force of the forgiveness, as an unfastening of old resolutions. He is capable to establish new connections with heterogeneous elements, that exist in the spectacle, or in the world. In such way, we break with the dualistic logics of the body and we try to map some of its movements of rupture, for the composition of personages and simulacres, either in the art, the theater or the life. We affirm the power of simulacre, as a shunting line production and new forces, that may create the expansion of the life.

Palavras-chave : theather of individuation; will of power; perpetual return; body; simulacre.

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