Abstract

RIGUINI, Renata Damiano  and  FERRARI, Ilka Franco. The obscenity of a look: from indiscreet window of Alfred Hitchcock to a diegetic camera. Psicol. rev. (Belo Horizonte) [online]. 2015, vol.21, n.1, pp. 158-175. ISSN 1677-1168.  http://dx.doi.org/DOI-10.5752/P.1678-9523.2015V21N1P158.

In this article we will explore the film as a dialogue field for discussions about the look on psychoanalysis. In "Rear Window", Hitchcock makes use of a type of artifice in which the camera is intertwined with the character and the viewer’s eye. Thus, the appetite of the eye is caused, by Hitchcock, when he knows how it works, serving to drive. The validity of resume this model is to see that the appeal of the "master of the suspense" is explored until the obscenity in our days; the obscenity of wanting to see everything, befitting an era where intimacy no longer hides, in it all shows. Following where Hitchcock left off, with technology, the horror cinema invests in diegetic camera and promotes millions in box office since "The Blair Witch Project". We believe that the movie teaches us about another form of use the eye, current symptom, which makes it more than indiscreet, but obscene

Keywords : Gaze; Object a; Obscene; Cinema; Intimate.

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