Abstract

GUARAGNA, Ana Lúcia Mandelli  and  WEINMANN, Amadeu de Oliveira. Camera's teaser and the impact on the viewer. Trivium [online]. 2018, vol.10, n.1, pp. 116-121. ISSN 2176-4891.  http://dx.doi.org/10.18379/2176-4891.2018v1p.116.

The history of cinema is marked by movements and manifestos, as well as the history of the arts and world history. This article aims to make a link between the esthetic /formal aspects of one of these manifestos, the Dogma 95, and its first film: The celebration, from a psychoanalytic perspective, especially about what returns from repression and its manifestations as uncanny, disquieting, and disturbing. What repercussions certain technical aspects of filmmaking cause in the spectator? Based on the analysis of a filmic sequence, we propose a psychoanalytical interpretation.

Keywords : PSYCHOANALYSIS; UNCANNY; THE CELEBRATION; DOGMA 95; CINE.

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