SciELO - Scientific Electronic Library Online

 
vol.11 issue1Ethical reverberations of rust in Harun Farocki's cinema(Un)veiling images: derivations on the look in the work of Amedeo Modigliani author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Trivium - Estudos Interdisciplinares

On-line version ISSN 2176-4891

Abstract

OLIVEIRA, Marisa Terezinha Garcia de  and  FROEMMING, Liliane Seide. The vision of the sleeping woman in Tarkovski's film The mirror. Trivium [online]. 2019, vol.11, n.1, pp. 61-70. ISSN 2176-4891.  http://dx.doi.org/10.18379/2176-4891.2019v1p.61.

By reading Starobinski's text La vision de la dormeuse, an essay on the pictorial work The Nightmare (Füssli, 1792), caused an experience of flow of visual elements from and into the levitation scene of Mary, in Tarkovski's film The Mirror. We propose that that scene unfolds itself beyond its own visibility into a field of gaze in which conditions of appearance of the aura could be configured as theorized by Walter Benjamin. Approximations are discussed between Tarkovsky's poetic images and déjà vu sensations and reminiscences which Freud attributes to contact with unconscious fantasies producing anguish.

Keywords : PSYCHOANALYSIS; NIGTHMARE; ANDREI TARKOVSKI; CINEMA; BENJAMIN; WALTER.

        · abstract in Portuguese | French     · text in Portuguese     · Portuguese ( pdf )

 

Creative Commons License