Abstract

LHULLIER, Louise Amaral  and  FAYAD, Daphne de Castro. Under the skin: women positions to say love. Rev. Subj. [online]. 2015, vol.15, n.2, pp. 191-200. ISSN 2359-0769.

This article aims to delimit some feminine positions in love from songs by Chico Buarque de Holanda, especially the ways in which women and feminine seem in these verses. From the indication of some differences between the representation of women in the courtly love of poetry from troubadours and the plurality of female figures that unfold to infinity in the songs of Chico Buarque, preventing categorizations which seize the woman and at the same time, indicating its mention in constant reference to love. Love is then discussed in terms of the idea of Jacques Lacan's three records (imaginary, symbolic and real), which allows to articulate poetry in its privileged relationship with the signifier and as empty covering feature. Finally it is about the dimension of love countenance and its tie function, demonstrating that the women different positions of saying (and being said) in love inferred both the wrongful character of the woman said to the phallic order, as ungraspable than escapes from that order. Thus, it stands out with Lacan and Chico Buarque, the proximity of the woman with the real - in this case, the real love.

Keywords : love; poetry; courtly love; female; Chico Buarque de Holanda.

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