<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0486-641X</journal-id>
<journal-title><![CDATA[Revista Brasileira de Psicanálise]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. bras. psicanál]]></abbrev-journal-title>
<issn>0486-641X</issn>
<publisher>
<publisher-name><![CDATA[Federação Brasileira de Psicanálise]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0486-641X2024000400027</article-id>
<article-id pub-id-type="doi">10.69904/0486-641x.v58n4.03</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Luto, melancolia e máquinas: Uma investigação psicanalítica aplicada do luto na era dos griefbots]]></article-title>
<article-title xml:lang="es"><![CDATA[Duelo, melancolía y máquinas: una investigación psicoanalítica aplicada sobre el duelo en época de griefbots]]></article-title>
<article-title xml:lang="en"><![CDATA[Mourning, melancholia and machines: an applied psychoanalytic investigation of mourning in the age of griefbots]]></article-title>
<article-title xml:lang="fr"><![CDATA[Deuil, mélancolie et machines : une recherche de psychanalyse appliquée sur le deuil à I&#8217;age des chagrinbots]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lemma]]></surname>
<given-names><![CDATA[Alessandra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Unidade de Psicanálise do University College London Centro Anna Freud de Londres ]]></institution>
<addr-line><![CDATA[Londres ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>58</volume>
<numero>4</numero>
<fpage>27</fpage>
<lpage>55</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://pepsic.bvsalud.org/scielo.php?script=sci_arttext&amp;pid=S0486-641X2024000400027&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://pepsic.bvsalud.org/scielo.php?script=sci_abstract&amp;pid=S0486-641X2024000400027&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://pepsic.bvsalud.org/scielo.php?script=sci_pdf&amp;pid=S0486-641X2024000400027&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A morte e o luto estão sendo transformados pela possibilidade de os mortos influenciarem postumamente a vida dos vivos de maneiras que seriam impossíveis nas gerações pré-digitais. O impacto psicológico e sociológico do &#8220;luto tecnológico&#8221; e da presença digital de pessoas falecidas online apenas começa a ser compreendido e ainda aguarda um exame psicanalítico aprofundado. A autora, portanto, busca explorar um tipo específico de luto tecnológico, o griefbot ou robô de luto, analisado criticamente aqui a partir de uma leitura psicanalítica de um episódio da série Black mirror. Propõe que um modelo psicanalítico do luto nos oferece uma perspectiva inestimável para refletir sobre o potencial dessa tecnologia e os riscos psicológicos e éticos que ela acarreta. Argumenta que a imortalização dos mortos por meio da sua permanência digital interfere no enfrentamento da dolorosa realidade da perda e no reconhecimento da alteridade, fundamentais para o crescimento psíquico e para a integridade de nossos relacionamentos com o outro. Com base no conceito de &#8220;luto originário&#8221;, de Jacques Derrida, sugere que o luto é um processo interminável, que nos desafia a preservar dentro do self a alteridade do objeto perdido. Assim, as ferramentas que utilizamos no luto devem ser avaliadas sobretudo sob a perspectiva desse processo psicológico e fundamentalmente ético.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las oportunidades póstumas de los muertos de afectar la vida actual de una manera no realizable en las generaciones predigitales están dando nuevas formas a la muerte y al duelo. El impacto psicológico y sociológico de la persona fallecida &#8220;en línea&#8221; y de la &#8220;tecnología del duelo&#8221; recién está empezando a comprenderse. Hasta este artículo, que estudia un tipo de tecnología del duelo, el griefbot, aún no había sido explorado psicoanalíticamente. La autora analiza críticamente esta innovación mediante la lectura psicoanalítica de un episodio de la serie Black mirror. Sugiere que un modelo psicoanalítico del duelo brinda una valiosa perspectiva para pensar acerca del potencial de esta tecnología, así como los riesgos psicológicos y éticos que plantea. Sostiene, asimismo, que la inmortalización de los muertos mediante la permanencia digital actúa en detrimento de la confrontación con la dolorosa realidad de la pérdida y el reconocimiento del otro, que son fundamentales para el crecimiento psíquico y para la integridad de nuestras relaciones con el otro. A partir de la conceptualización del &#8220;duelo originario&#8221;, de Jacques Derrida, sugiere que el duelo es un proceso interminable, que nos desafía a preservar dentro del self la otredad del objeto perdido. Ante todo, se deben evaluar las herramientas que utilizamos en el duelo frente a este proceso psicológico y fundamentalmente ético.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Death and mourning are being shaped by posthumous opportunities for the dead to affect current life in ways not possible in pre-digital generations. The psychological and sociological impact of the dead &#8220;online&#8221; and of &#8220;grief tech&#8221; is only beginning to be understood. It has not yet been explored psychoanalytically until this paper that examines one type of grief tech, namely the griefbot. This development is critically explored through a psychoanalytic reading of an episode of Black mirror. The author suggests that a psychoanalytic model of mourning provides an invaluable perspective to help us to think about this technology&#8217;s potential as well as the psychological and ethical risks it poses. She argues that the immortalisation of the dead through digital permanence works against facing the painful reality of loss and the recognition of otherness, which is fundamental to psychic growth and to the integrity of our relationships with others. Drawing on Derrida&#8217;s conceptualization of &#8220;originary mourning&#8221;, she suggests that mourning is an interminable process that challenges us to preserve within the self the otherness of the lost object. The tools we use for mourning need to be assessed first and foremost against this psychological and fundamentally ethical process.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé La mort et le deuil sont en train d&#8217;être façonnés par des opportunités posthumes données aux défunts qui affectent la vie courante, ce qui était inenvisageable dans les générations pré-numériques. L&#8217;impact psychologique et sociologique des défunts « en ligne » et de la « technologie du chagrin » commence à peine à être compris. Cet article explore pour la premiere fois, dans une perspective psychanalytique, un aspect de la technologie du chagrin, à savoir le chagrinbot. Cette évolution est examinée de façon critique au moyen d&#8217;une lecture psychanalytique d&#8217;un épisode de Black mirror. L&#8217;autrice de l&#8217;article soutient qu&#8217;un modèle psychanalytique du deuil ouvre une perspective précieuse nous permettant de comprendre le potentiel de cette technique, ainsi que les risques psychologiques et éthiques qu&#8217;elle comporte. Elle argumente que l&#8217;immortalisation des défunts à travers la permanence numérique va à l&#8217;encontre de la confrontation à la réalité douloureuse de la perte, comme à la reconnaissance de l&#8217;altérité, au fondement de la croissance psychique et de l&#8217;intégrité de nos relations aux autres. S&#8217;appuyant sur la conceptualisation de « deuil originaire », de Jacques Derrida, l&#8217;autrice suggère que le deuil est un processus interminable qui nous met au défi de préserver au sein du self l&#8217;altérité de l&#8217;objet perdu. Les moyens dont nous disposons pour le deuil doivent être évalués avant tout sur fond de ce processus psychologique et fondamentalement éthique.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[ética]]></kwd>
<kwd lng="pt"><![CDATA[tecnologia]]></kwd>
<kwd lng="pt"><![CDATA[luto]]></kwd>
<kwd lng="pt"><![CDATA[melancolia]]></kwd>
<kwd lng="pt"><![CDATA[griefbot]]></kwd>
<kwd lng="es"><![CDATA[ética]]></kwd>
<kwd lng="es"><![CDATA[tecnología]]></kwd>
<kwd lng="es"><![CDATA[duelo]]></kwd>
<kwd lng="es"><![CDATA[melancolía]]></kwd>
<kwd lng="es"><![CDATA[griefbot]]></kwd>
<kwd lng="en"><![CDATA[ethics]]></kwd>
<kwd lng="en"><![CDATA[technology]]></kwd>
<kwd lng="en"><![CDATA[mourning]]></kwd>
<kwd lng="en"><![CDATA[melancholia]]></kwd>
<kwd lng="en"><![CDATA[griefbot]]></kwd>
<kwd lng="fr"><![CDATA[éthique]]></kwd>
<kwd lng="fr"><![CDATA[technologie]]></kwd>
<kwd lng="fr"><![CDATA[deuil]]></kwd>
<kwd lng="fr"><![CDATA[mélancolie]]></kwd>
<kwd lng="fr"><![CDATA[chagrinbots]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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